13 Reasons Why is a new series from Netflix, available since March 31st. I took my time to sit down and write about it because (besides the fact that for other reasons I am not taking care of this blog as well before) it is a show that unloads a lot on you and it is easy to dismiss it without an appropriate introspective moment. Since it is relatively new, I will proceed spoiler-free for a while and go more into the details after the picture.
The premise of the show is the suicide of Hannah, a 17 years old girl, that leaves 13 tapes to explain the events that led her to this decision. In each tape, she tells her truth about some event regarding some person, with one main protagonist (or reason) for each tape. The tapes are delivered to one of them that has to listen and then pass them over to the next one. If this doesn't happen, the tapes will be publicly released. In particular, the story begins when Clay, a friend of hers, receive the tapes.
Let me say right away that the premise was my main reason to not watch the show. I always tell myself that each individual is not responsible for the other people's fragilities and I still keep my stand after watching the show. However, I am very glad that I've seen it. I liked it quite a bit: it has an overall good structure, it faces many important themes, and it made me reflect on human interactions and social constructions.
Let's start with the easy part: the structure. I am generally skeptical when it comes to shows based on flashbacks because, and I admit that it is probably my problem, if I know how it is going to end already I simply fall asleep. The risk with this show was very high but, although you know what is going to happen, you don't know how it is going to end (or, to say it better, when you know it, you don't have to wait too much). The narration keeps relentlessly going back and forth, revealing pieces of Hannah's story and Clay's story. The puzzle takes form episode after episode and, most importantly, evolves.
Another reason why the show captured me is that, like in every story, there is a hero, a villain, and a fool. The identity of these three characters is, at least in my opinion, particularly deceptive. This choice infers a very peculiar dynamic to the narration and, thus, keeps the viewer interested. More on this point in the spoiler section.
As mentioned before, the show explores many themes. The dominant one is, and I am glad that this is the case, not suicide and it is not adolescent anxiety. They are certainly present given the age of the characters and the event, but making them THE themes would have made the show very unoriginal and probably a copy of everything produced during the 90's or the early 2000's. Instead, the main theme turns out to be the importance of consent (in intimacy, physical and not) and how society perceives or values it. I will talk more about it in the spoiler section, but I can say that exploring this theme (along with all the others) in the way that it is done makes a format that sounds 20 years old very actual. The theme comes in very different moment and very different shades and draws a very much needed line: consent has to be confirmed, consent is not granted if previously given, and has to be respected at all times.
It is true that we were flooded by teens' shows. The difference is that 13 Reasons Why uses a story about a group of teenagers to speak to the adults. It is definitely not a show for teens because it is very intense and at times really painful to watch, thus requiring the viewer to have experimented that period and moved on. In other words, the 17 years old me would have been trapped by the story. Everyone can relate to the characters, the events, and the emotions but I feel that the intensity of the show can be dangerous if you are still in those kinds of situation. No matter on which side of the story you will find yourself, you will be able to recognize how much you evolved from that version of yourself. The show displays how things that looked extremely important back then were actually stupid and, most remarkably, vice versa.
There are many other themes, such as sexism (that is just another shade of the importance of consent), bullying, the role of social media, and prejudice and discrimination. However, I want to elaborate one of them: the social pressure that pushes the individual to the impossible task of being perfect. This can regard the appearance or the circles of friends (thus falling back close to the adolescence anxiety), but also having a perfect record at every step in order to not compromise the admission to a college.
It is yet again displayed a society that doesn't admit a mistake and thus the individual finds himself or herself crushed by the reality that this is impossible. Thus, responsibilities are not fully taken, facts are hidden, insecurities are violently reversed on others all because your entire future can be compromised by a single mistake, no matter what the mistake is (and we see a very large range of them).
Of course, the show presents quite a few weak spots. For example, although it doesn't reflect my view on the show, I can see why some people saw a justification of suicide and the dangerous message that brings with it. Some of the reasons are very difficult to understand as they are put on the same plane as very serious ones. Therefore, I see a few problems in the writing and character development. For example, I can see now who the hero, the fool, and the villain are but I can't find a reason for all of them.
If I carefully think about it, at times it seems that, with some obvious exceptions that will be clear when you see it, almost all the issues that Hannah had are valorized by the fact that she committed suicide. This is simply wrong. The sexist idiots in the school treat her like society usually treats women and this is wrong regardless the fact that she eventually killed herself. Spreading a (sexist) rumor about her or a picture is wrong regardless the fact that she killed herself. The show addresses this issue in one dialogue, but it is then lost due to the increasing intensity of the show.
All that being said, I liked it and I recommend it. 13 Reasons Why is a 13 episodes exercise of empathy and detachment. It is true that you are not responsible for the other people's fragilities, but it doesn't hurt to be decent to each other and to do so you need empathy.
If you don't want spoilers, don't go further.
In this spoiler section, I want to elaborate on some aspects that I mentioned before.
First, the show unravels around Clay. He gets the tapes and does not simply listen to them but also starts a campaign against the other kids, judged as responsible for her suicide. In other words, I felt that he was painted as the hero. However, he is on the tapes too and for a reason not even remotely comparable with any of the others. Hannah made him the fool, obsessed by the reason why he was on the tapes, wrongly blamed for her death. The hero is thus his friend Tony, supporting Hannah's parents and doing what was necessary to reach a fair end.
The villain changes along the show too. It starts by being Justin, responsible for creating Hannah's reputation, a fact that exposes her to everything that followed. However, the little prick turned out to be just a stupid kid, and the villain revealed himself as Bryce, the rapist. What makes him a perfect villain is that is unaware of being one: he never considered that girls didn't want to have sex with him, he didn't receive the tapes yet, and he lives in complete impunity due to his social status and role in the school. Bryce never drew the line of consent, he never questioned its existence. He is the perfect reincarnation of a society as sexist as ours.
When Clay finds himself in that situations, he acts as one human being is supposed to act. This perfectly draws the mentioned line of consent and thus shed a light to one very actual theme and issue of our society. It remains the fool, though, because being a human is not heroic.
Another aspect that I noticed and appreciated is the complete absence of other discriminatory factors. The focus is on gender discrimination and thus the school of 13 Reasons Why, as far as I noticed, is free of other kinds of discrimination. The exception are the events regarding Courtney, afraid of coming out because she has two dads and people will think that her sexual orientation has been influenced by that. I liked how she addressed it because it made me think about my own limitations: as her, I wrongfully anticipated that thought, I assumed the worst in other people's opinion and this is a discrimination as well. I like questioning myself.
The more I write, the more I feel I can go on, thus, for the brave readers that reached this far, I hope I gave you enough elements to think about.
Sunday, April 30, 2017
Thursday, March 23, 2017
Reasons to see (or not) Life
Synopsis: We are on the international space station and we are recovering some samples coming from Mars. The massive discovery is that we find very intelligent cells, but we are more intelligent and we keep them up in the sky because it can be dangerous. All that being said, our security protocol sucks. Big time. Guess what? The biggest, nearly 2 hours long, I told you ever seen in human history: the cells grow quickly and they are surprisingly sadistic. Things escalate relentlessly and we still have to find a way to keep that thing away from Earth, which turns out to be surprisingly difficult even though we are in space.
Life is a movie that looked like an Alien ripoff with bigger actors since the very first trailer and, to some extent, it fits in that franchise quite well. Therefore, the plot is quite predictable, you really didn't need my synopsis to guess how the chips were going to fall in this one. I recognized certain aspects of Gravity too, thus, if you really want to define a movie using previous works, it is an Alien-Gravity sci-fi claustrophobic movie.
All that being said, the film presents some differences that at least keep you on your toes for the entire movie. This aspect is enhanced by a very intense rhythm, something that I've enjoyed quite a bit and kept me on the edge of my seat for nearly the entire movie. I think it is not a spoiler saying that some characters are going to die and the choices made in displaying such deaths are all the right one: very intense scenes that hide their inevitable, excruciating, ending and worth themselves the price of the ticket.
The first weak spot of the movie is hidden inside its strong suit: the villain. While this mysterious bunch of cells is absolutely terrifying, at times it goes so over the top in order to move the plot along that may throw you off the narration. In other words, regardless the fast pace, a sapient use of scare jumps, and the constant threat to the characters life, the villain looks so invincible that looses every credibility, thus breaking the spell of the narration.
A second problem is again related to one of the good aspects of Life. The very high-pace narration is good for entertaining the viewer, but doesn't leave much room for the development of the characters (or of a theme for all that matters). The result is that, excluding the 2 very famous actors that you recognize easily, the others are very disposable and do not have any third dimension while the plot moves in front of them. Normally this aspect is not very relevant but, when the entire story is basically in a big room up in the sky, it is easy to notice that you are not very sure on who is who.
Another issue is sadly the one that you bring home and regards the ending of the film. It is supposed to be the scene with more tension, but the climax is ruined by the fact that you see the punch coming from miles, thus falling short in delivering the last impression you will have on the movie.
To sum up, Life is not a movie that I will remember for long, but it is probably a blockbuster that I would keep in my collection for some beer evening on the couch. It didn't fail to entertain me, regardless a concept not particularly original and the almost complete absence of a theme. There is something that resembles a reflection over the role of the scientific research in our society, but it is so sloppy that looks like an accident. If you don't expect some deep cinematographical sci-fi experience, you will probably enjoy your time in the theater.
Life is a movie that looked like an Alien ripoff with bigger actors since the very first trailer and, to some extent, it fits in that franchise quite well. Therefore, the plot is quite predictable, you really didn't need my synopsis to guess how the chips were going to fall in this one. I recognized certain aspects of Gravity too, thus, if you really want to define a movie using previous works, it is an Alien-Gravity sci-fi claustrophobic movie.
All that being said, the film presents some differences that at least keep you on your toes for the entire movie. This aspect is enhanced by a very intense rhythm, something that I've enjoyed quite a bit and kept me on the edge of my seat for nearly the entire movie. I think it is not a spoiler saying that some characters are going to die and the choices made in displaying such deaths are all the right one: very intense scenes that hide their inevitable, excruciating, ending and worth themselves the price of the ticket.
The first weak spot of the movie is hidden inside its strong suit: the villain. While this mysterious bunch of cells is absolutely terrifying, at times it goes so over the top in order to move the plot along that may throw you off the narration. In other words, regardless the fast pace, a sapient use of scare jumps, and the constant threat to the characters life, the villain looks so invincible that looses every credibility, thus breaking the spell of the narration.
A second problem is again related to one of the good aspects of Life. The very high-pace narration is good for entertaining the viewer, but doesn't leave much room for the development of the characters (or of a theme for all that matters). The result is that, excluding the 2 very famous actors that you recognize easily, the others are very disposable and do not have any third dimension while the plot moves in front of them. Normally this aspect is not very relevant but, when the entire story is basically in a big room up in the sky, it is easy to notice that you are not very sure on who is who.
Another issue is sadly the one that you bring home and regards the ending of the film. It is supposed to be the scene with more tension, but the climax is ruined by the fact that you see the punch coming from miles, thus falling short in delivering the last impression you will have on the movie.
To sum up, Life is not a movie that I will remember for long, but it is probably a blockbuster that I would keep in my collection for some beer evening on the couch. It didn't fail to entertain me, regardless a concept not particularly original and the almost complete absence of a theme. There is something that resembles a reflection over the role of the scientific research in our society, but it is so sloppy that looks like an accident. If you don't expect some deep cinematographical sci-fi experience, you will probably enjoy your time in the theater.
Thursday, March 2, 2017
Reasons to see (or not) Logan
Synopsys: Wolverine got old in an unspecified timeline of the X-Men universe. He is very much pissed off by how life is unfair: he is an Uber driver, he has a drinking problem, and he as to take care of Professor X that, in this timeline, has some problems with his powers. For a series of reasons, he finds himself in the role of protecting a young girl that has his powers and is chased by some random organization.
Logan is one of the most anticipated Marvel movies of the year, attracting a lot of attention due to the fact that, for once, it is rated R. Let's try to grasp the relevant aspects and remain spoiler-free.
The movie is filled with gruesome scenes, you can thus expect to see a lot of blood and limbs on a regular basis for the entire film. The consequence is fully representing the spirit of Wolverine for the first time on the big screen through a series of excellent action scenes. The character is built to be violent and the movie is very explicit in this sense. The effect is enhanced when we come to the little girl that is, to say the least, a little badass savage animal. On this point of view, the movie is very entertaining.
The main actors bring a very convincing performance. Logan is a broken man, Professor X is ill and filled with guilt, and the little girl really likes to cut people throat open. The three performances are consistent and deliver a good amount of emotion to the viewer. I can't say the same about the antagonists: their presence is constant but never charismatic. In other words, they are very disposable villains. I am almost sure you will not remember their names, why they do what they do, or what they do.
A possible reason for this underwhelming presence is that the main villain can be identified as the past of Logan, now constantly battling against himself, crushed by his past actions and losses.
The introspective aspect of what can be called the main theme is thus reflected in the challenges that our heroes have to face. However, the theme is not strong enough to fully define the purpose of this film. The quest is to save an innocent mutant from a mysterious evil organization; this is something we have already seen many times in this very franchise. The result is a movie that lacks meaning and purpose, it is, to a great extent, an empty movie.
For comparison, if you look today at the first two X-Men movies (early 2000's), you can recognize a deep theme (that was the role of discrimination in our society) and a plot that brings that theme to the viewer and made it awesome. The same philosophy was later transposed in more recent movies of the franchise, with results that went from bad to less good than the previous level. Here, the theme is new and well displayed by the actors, but not supported by a plot, by a context. The feeling is that, without the existence of the previous movies, this film would not entertain anyone beyond the action scenes: something that a YouTube clip could do as well, by making you save time.
Another issue, in a way related to the previous one, is that for the entire movie there are references to something happened in the past, one or more terrible events that shaped the current reality. The spotlight on this mystery is constant and, at times, strong. However, everything simply stays in the darkness, bringing that sense of emptiness. I am not saying that they should have explained, but if you focus so much on a mystery and you develop no aspect of it, the result is not going to be good or satisfying.
In conclusion, I wasn't displeased for spending my time to watch a movie that I was waiting for a fair amount of time. However, and this is something that I recognize on the faces of everyone in the theater with me, I was left with the feeling of a missed opportunity. The kind of feeling that makes harder to focus on the various good aspects of the movie.
Wednesday, February 8, 2017
The true responsibility of the Jedi
In the words of George Lucas in an interview:
It is about good and evil... in us. [...] Watch out, because there are people out there who don't play by the rules and if you are not careful you are going to lose all your freedom. At the same time, those people not playing by the rules, because they are selfish and greedy, turn themselves into evil people who don't care about the others.The universality of this message is one of the main reasons why I love Star Wars since I was a little kid, the reason why, to some extent, I always identify myself with the rebellion and the Jedi.
However, growing up is mainly about improving yourself and challenging your own beliefs. Therefore, this is the post where I will try to make sense to a sensation, to what was a hidden message (hidden to me, maybe it was clear to all of you and you didn't know how to tell me). The sensation is the following: it is true that there is an amazing set of villains that do awful things across the Galaxy, but can we take into account the true responsibility of the Jedi? I believe that the answer to this question will have some of the universality that characterizes Star Wars and, thus, it is worth sharing.
The more I think about it, the more I come close to the conclusion that the Jedi are the main responsible for the rise of the Empire. My reasoning is three-folded.
First, the Jedi lifestyle. The Jedi are peacekeepers, they are a Republic's institution and, thanks to their power and wisdom, they help the Senate to find solutions to many issues. For this reason, as Qui-Gon Jinn noticed, it is in the Outer Rim territories that a Jedi has a true purpose. However, every time the great majority of Jedi were in Coruscant, the very center of the Galaxy. In being so focused in interacting with the Senate, the Jedi overlooked the situation in the Outer Rim where the separatists gained power until they rebelled.
Moreover, along the saga is very often reminded that a Jedi has to focus on the moment, without being distracted by the future (like Yoda says in Ep. V). It is also true that a Jedi has to be mindful of the future, but not at the expense of the moment (Qui-Gon quoting Yoda, Ep. I). It is then easy to imagine how easy was for the Sith Lord to distract the entire Jedi Council by simply making something else happening in front of them. Even when Count Dooku in Ep. II explains Obi-Wan that the Republic is under the control of the Sith Lord, that they are not seeing what is really going on, and that everything is connected to the political movements happened in Ep. I, they don't find the lucidity of analyzing such reveal and proceed blessed in their clouded judgment.
The situation is then exasperated by the military role the Jedi assumed during the Clone Wars. Even the (at the time) general Tarkin noticed how unfit the Jedi, peacekeepers by definition, were for such a role (Clone Wars, s03e09). The danger of such position was evident by the constant concern to their clouded judgment and, as we saw at the end of the fifth season of the Clone Wars, a widespread hostility towards the general of a very painful war. It was even too easy to make the population believe to the betrayal of the Jedi, once the purge started.
A second criticality: the Jedi were very naive to face the creation of the clones' army. The hints that the clones were the crucial point of the plot were all over the place. They find out that Kamino was erased from the archive and that only a Jedi could have done it. The investigation quickly leads to Sifo-Dyas, a Jedi dead over 10 years before (i.e. when the Chancellor began his office) that is allegedly responsible for the creation of the army. They decide to ignore the fact that an army was created for the Republic way before the moment it was needed and simply put themselves at its lead.
Then we come to the sixth season of this beloved animated series. In the first episode, a clone goes crazy and executes, cold-blooded, a Jedi. From now on, the hints that something is really wrong and they really don't realize what is going on just pile up. First, the separatists interfere with the investigation and then they find proof of a conspiracy started even before the war. The constant involvement of the Supreme Chancellor in an investigation that yields no conclusive result would have been enough to raise some green eyebrow, but something else catches their attention.
In the last arc of the series, the Jedi follows a trail connected to the Sifo-Dyas death (s06e10). It is now that the Jedi council finds out that someone was acting in the name of an already deceased Sifo-Dyas. Right after that, Count Dooku shows up revealing his identity as Lord Tyranus and killing all the witnesses. Even after this sloppy investigation, the Jedi Council comes to the truth: their enemy created the clones' army. They decide to keep it secret; right after that, Yoda leaves for a journey to deepen his understanding of the Force, the Chancellor gets kidnapped, and the reveal leads to no precautionary measure.
At last, Anakin. The Jedi can perceive the thoughts of other living creatures, can feel their emotions. The first time Anakin stands in front of the Council (Ep. I), they feel his fear. In Episode II, Yoda finds suspicious that Palpatine is trying to push the young Skywalker closer and closer to Padme but, although he was recognizing that the Dark Side was clouding his vision and recognizes the arrogance in Anakin, just let this dangerous union happen.
It is not that Yoda is unable to understand the feelings of the troubled Jedi. He feels his pain when he slaughtered like animals the Tusken Raiders on Tatooine. However, once he is interrogating Anakin on that matter, he can't feel he is lying. Essentially everyone around the young Skywalker knows that he is not the Jedi he was supposed to be, including Padme, Count Dooku and, since a long time (see the comic book Obi-Wan & Anakin), the supreme Chancellor Palpatine. The naivety on the personal development of Anakin allowed the Sith to have their most powerful allied, an allied that killed every Jedi in the Temple.
In conclusion, the Jedi are devoted to the protection of all living creatures and that's admirable. However, they translated their vocation into a blind chase for inequality, at the heavy expenses of their perception of a bigger picture. This is the reason why they were so easily manipulated, distracted and, ultimately, killed.
Moreover, their political (and lately military) role compromised their original mission. The inability of recognizing their own limits pushed them deeper and deeper into the game of the evil forces until the Jedi Council itself became an institution simply afraid of losing its power. This is the true reason why they kept the truth on the clones hidden: because, after proving themselves inadequate for the military roles during the war, such revelation would have compromised the view of the political forces about their wisdom. It is then (in the episode mentioned) that the Jedi stopped being victims of a clever plot and became actors in it instead.
The responsibility for the fall of the Republic is thus of the evil forces AND of those that put themselves in the position of defending the democracy, but fell short in recognizing their inability and thus became more worried about keeping their position rather than stepping aside and letting someone else taking care of it.
On this point of view, we can read again the words of George Lucas and identify who else was running their life in a selfish way, thinking they were doing some good when they weren't.
If you want a comprehensive guide to the Star Wars expanded universe click here.
Monday, January 30, 2017
The mistake that is Live by Night
Synopsys: Ben Affleck comes back from WWI and doesn't want to take orders. Thus, he becomes an independent outlaw. He gets distracted by a dangerous love and after some troubles changes his life: now he can take orders again! That guy? That was the old Ben Affleck! So there is another movie about him being a gangster with other 4 or 5 subplots that unravel in a short time and make the movie incredibly long.
This time not only I want to remain spoiler-free, but also to be more didactic than usual. The movie, as you guess, didn't impress me one bit: too many storylines, too many themes, and the final result looks like a TV series of 10 hours smashed inside a 2 hours-long film. It is very easy to lose track of what is going on but it is not a big deal: at some point the movie reboots itself and you can start looking at something similar.
Allow me to be didascalic for a moment. A movie, a story, usually obeys to the following toy model:
Or, to put it in a more graphical way, it generally looks like that
I can point out many problems with this movie but, wrapped into great action sequences and convincing acting, the core of them is that its structure looks like this one
To see how confusing it is, here how the white noise looks like
In other words, there are 5 or 6 stories and some of them may or may not please you, but their presence and development are crushed by a narration the existence of which is a mistake. Every story touches a theme and they are all interesting, but overshadowed by the relentless chase of a new event to display on the screen. The result is that nothing is interesting, everything is saturated, and the movie feels 3 hours long.
The most surprising thing was not the twist: you see it coming literally a hundred minutes in advance. The most surprising thing is that I appreciated Ben Affleck more as an actor than as a director when it is usually the opposite.
And ain't because he became suddenly a better actor.
This time not only I want to remain spoiler-free, but also to be more didactic than usual. The movie, as you guess, didn't impress me one bit: too many storylines, too many themes, and the final result looks like a TV series of 10 hours smashed inside a 2 hours-long film. It is very easy to lose track of what is going on but it is not a big deal: at some point the movie reboots itself and you can start looking at something similar.
Allow me to be didascalic for a moment. A movie, a story, usually obeys to the following toy model:
- Enter the characters
- They want something
- Something else is stopping them
- Things are very difficult now
- A break thru, the solution to the problem
- It works, maybe not at the first attempt, but surely at the second one (either in a good or bad way)
- Conclusion (either happy or sad)
Or, to put it in a more graphical way, it generally looks like that
I can point out many problems with this movie but, wrapped into great action sequences and convincing acting, the core of them is that its structure looks like this one
To see how confusing it is, here how the white noise looks like
In other words, there are 5 or 6 stories and some of them may or may not please you, but their presence and development are crushed by a narration the existence of which is a mistake. Every story touches a theme and they are all interesting, but overshadowed by the relentless chase of a new event to display on the screen. The result is that nothing is interesting, everything is saturated, and the movie feels 3 hours long.
The most surprising thing was not the twist: you see it coming literally a hundred minutes in advance. The most surprising thing is that I appreciated Ben Affleck more as an actor than as a director when it is usually the opposite.
And ain't because he became suddenly a better actor.
Tuesday, January 10, 2017
Reasons to see (or not) The Founder
Synopsis: Ray Kroc (Michael Keaton) is a salesman traveling across the country to sell milkshake makers. One day he encounters a restaurant that gives you the food within 30 seconds: McDonald's. He grabs the opportunity he was waiting for years and jumps into the business.
The Founder is the real story of how a local restaurant built around a revolutionary idea became the giant corporation that is today. I always stress out how diffident I am towards movies based on true stories but, since the purpose of this review is to make you decide if spending your money and time on it, I will try to be impartial (spoiler-free is meaningless since it's a true story).
A true story on screen, in my opinion, has to have a wow-effect that adds something that gives me a reason to see the movie and not simply read it on Wikipedia. A few movies succeeded in that and usually Aaron Sorkin (praise the Lord) was involved. To some extent, this movie succeeds in telling the viewer a 60 years old story that probably didn't know. However, before getting into the plot, I must admit that the wow-moments of the film have good intensity but they are very limited in number.
It is the story about two geniuses and a visionary and the film masterfully displays the difference between the two. The geniuses (the McDonald brothers) applied the Henry Ford's ideas to a restaurant's kitchen: hamburgers ready in a matter of seconds, made by an assembly line. The movie is able to catch how amazing is something that nowadays is normal and Michael Keaton displays the astonishment in front of this progress in such a convincing way that the viewer will participate in it. In particular, there is a sequence where they design the McDonald's kitchen that marveled me. The process of creation of such a revolution went through different attempts and I liked a lot the fact that they threw away the previous version completely before moving forward. That sequence catches the revolution and put it in front of your eyes.
The visionary is Ray Kroc: he saw their genius and relentlessly made it the new American symbol. Although the acting is convincing (for example, there is a very human moment coming out of the blue with great power), I didn't feel this character to be properly shaped.
It is a systemic problem of movies based on true stories: a character is shaped by its transitions and such movies are not commonly focused on displaying them properly. The reason is that, if the story really happened, they don't feel the need of explaining why we go from A to B because it is simply how it went. A consequence of that is a third act that lacks rhythm and a character that holds up only thanks to the ability of the actor and not by the quality of the script. Thus we have very dull lines from time to time and (almost) any life-changing decision is just made after 5 seconds of silent staring at the ground in an empty room. Not to mention the cheap sentences that will work on some motivational poster or on a potentially popular tweet.
To give you a taste of how ineffective was the script of the protagonist to me, I just tell that I came out of the theater wondering how incredible was the story of a very minor character (Fred Turner, that went from flipping the burgers to CEO, 75 seconds on screen) rather than thinking about the amazing journey that Ray Kroc did.
A thing that I liked is that it is not a long commercial. For example, using the voice of the McDonald brothers, the movie occasionally makes fun of what McDonald's is today, stressing out the difference in the quality standards.
All that being said, it was not a bad experience to me and I am actually glad to have spent my time to see it. It's a movie that can give a wide spectrum of emotion: it can inspire, it can enrage, it can bore. It is a story that I didn't know and probably would never know without the movie. Thus I overcame my diffidence and wrote this review, but I will not probably remember it for anything in particular.
(Seriously, tho, the kitchen sequence is very cool).
The Founder is the real story of how a local restaurant built around a revolutionary idea became the giant corporation that is today. I always stress out how diffident I am towards movies based on true stories but, since the purpose of this review is to make you decide if spending your money and time on it, I will try to be impartial (spoiler-free is meaningless since it's a true story).
A true story on screen, in my opinion, has to have a wow-effect that adds something that gives me a reason to see the movie and not simply read it on Wikipedia. A few movies succeeded in that and usually Aaron Sorkin (praise the Lord) was involved. To some extent, this movie succeeds in telling the viewer a 60 years old story that probably didn't know. However, before getting into the plot, I must admit that the wow-moments of the film have good intensity but they are very limited in number.
It is the story about two geniuses and a visionary and the film masterfully displays the difference between the two. The geniuses (the McDonald brothers) applied the Henry Ford's ideas to a restaurant's kitchen: hamburgers ready in a matter of seconds, made by an assembly line. The movie is able to catch how amazing is something that nowadays is normal and Michael Keaton displays the astonishment in front of this progress in such a convincing way that the viewer will participate in it. In particular, there is a sequence where they design the McDonald's kitchen that marveled me. The process of creation of such a revolution went through different attempts and I liked a lot the fact that they threw away the previous version completely before moving forward. That sequence catches the revolution and put it in front of your eyes.
The visionary is Ray Kroc: he saw their genius and relentlessly made it the new American symbol. Although the acting is convincing (for example, there is a very human moment coming out of the blue with great power), I didn't feel this character to be properly shaped.
It is a systemic problem of movies based on true stories: a character is shaped by its transitions and such movies are not commonly focused on displaying them properly. The reason is that, if the story really happened, they don't feel the need of explaining why we go from A to B because it is simply how it went. A consequence of that is a third act that lacks rhythm and a character that holds up only thanks to the ability of the actor and not by the quality of the script. Thus we have very dull lines from time to time and (almost) any life-changing decision is just made after 5 seconds of silent staring at the ground in an empty room. Not to mention the cheap sentences that will work on some motivational poster or on a potentially popular tweet.
To give you a taste of how ineffective was the script of the protagonist to me, I just tell that I came out of the theater wondering how incredible was the story of a very minor character (Fred Turner, that went from flipping the burgers to CEO, 75 seconds on screen) rather than thinking about the amazing journey that Ray Kroc did.
A thing that I liked is that it is not a long commercial. For example, using the voice of the McDonald brothers, the movie occasionally makes fun of what McDonald's is today, stressing out the difference in the quality standards.
All that being said, it was not a bad experience to me and I am actually glad to have spent my time to see it. It's a movie that can give a wide spectrum of emotion: it can inspire, it can enrage, it can bore. It is a story that I didn't know and probably would never know without the movie. Thus I overcame my diffidence and wrote this review, but I will not probably remember it for anything in particular.
(Seriously, tho, the kitchen sequence is very cool).
Saturday, January 7, 2017
Star Wars: a comprehensive short guide. Final part.
Star Wars: Shattered Empire #2 (not in the guide, surprisingly) |
If you are still wondering why I put this list together, well, just take a few steps back in this guide.
Here's the introduction, the most important step that will clarify most of your doubts.
Here's the second step, selecting the episodes from the animated series.
Here's the third one, selecting the comic book issues.
Enough talking now. In white you will find the movies, in red the animated series, and in green the comic books. Enjoy the most comprehensive short guide of the Star Wars universe.
Episode I: The Phantom Menace
Star Wars: Obi-Wan & Anakin #1-5
Episode II: Attack of the Clones
s03e01 - Clone Cadets (from now onwards: The Clone Wars)
s01e05 - Rookie
s02e05 - Landing at Point Rain
s02e08 - Brain Invaders
s02e09 - Grievous Intrigue
s02e10 - The Deserter
s02e12 - The Mandalore Plot
s02e13 - Voyage of Temptation
s02e14 - Duchess of Mandalore
s01e22 - Hostage Crisis
s03e10 - Heroes on Both Sides
s03e11 - Pursuit of Peace
s03e12 - Nightsisters
s03e13 - Monster
s03e14 - Witches of the Mist
s03e15 - Overlords
s03e16 - Altar of Mortis
s03e17 - Ghost of Mortis
s03e18 - The Citadel
s03e19 - Counter Attack
s03e20 - Citadel Rescue
s03e21 - Padawan Lost
s03e22 - Wookie Hunt
s04e07 - Darkness on Umbara
s04e08 - The General
s04e09 - Plan of Dissident
s04e10 - The Carnage of Krell
s04e11 - Kidnapped
s04e12 - Slaves of the Republic
s04e13 - Escape from Kadavo
s04e15 - Deception
s04e16 - Friends and Enemies
s04e17 - The Box
s04e18 - Crisis on Naboo
s04e19 - Massacre
s04e20 - Bounty
s04e21 - Brothers
s04e22 - Revenge
s05e06 - The Gathering
s05e07 - A Test of Strength
s05e08 - Bound for Rescue
s05e09 - A Necessary Bond
s05e01 - Revival
s05e14 - Eminence
s05e15 - Shades of Reason
s05e16 - The Lawless
Darth Maul: Son of Dathomir #1-4
s05e17 - Sabotage
s05e18 - The Jedi Who Knew Too Much
s05e19 - To Catch a Jedi
s05e20 - The Wrong Jedi
s06e01 - The Unknown
s06e02 - Conspiracy
s06e03 - Fugitive
s06e04 - Orders
s06e10 - The Lost One
s06e11 - Voices
s06e12 - Destiny
s06e13 - Sacrifice
Episode III: Revenge of the Sith
s01e01-02 - Spark of Rebellion (From now onwards: Star Wars Rebels)
Star Wars: Kanan #1-12
s01e03 - Droids in Distress
s01e05 - Rise of the Old Master
s01e08 - Empire Day
s01e09 - Gathering Forces
s01e10 - Path of the Jedi
s01e13 - Call to Action
s01e14 - Rebel Resolve
s01e15 - Fire Across the Galaxy
s02e01-02 - The Siege of Lothal
s02e03 - The Lost Commanders
s02e04 - Relicts of the Old Republic
s02e05 - Always Two There Are
s02e10 - The Future of the Force
s02e11 - Legacy
s02e12 - A Princess on Lothal
s02e17 - The Honorable Ones
s02e18 - Shroud of Darkness
s02e21-22 - Twilight of the Apprentice
s03e01-02 - Steps Into Shadow
s03e03 - The Holocrons Fate
s03e06 - The Last Battle
s03e10 - An Inside Man
s03e11 - Visions and Voices
(Currently running)
Rogue One: A Star Wars Story
Episode IV: A New Hope
Star Wars #1-3
Star Wars: Darth Vader #1
Star Wars #4-6
Star Wars #7 (The Journal of Obi-Wan)
Star Wars: Vader Down #1-6 (Crossover)
Star Wars #15, #20 (The Journal of Obi-Wan)
Star Wars: Darth Vader Annual 1
Star Wars: Darth Vader #16-25
Star Wars #26
(Still Running)
s02e09 - Grievous Intrigue
s02e10 - The Deserter
s02e12 - The Mandalore Plot
s02e13 - Voyage of Temptation
s02e14 - Duchess of Mandalore
Star Wars: Darth Vader - "He will be mine" |
s01e22 - Hostage Crisis
s03e10 - Heroes on Both Sides
s03e11 - Pursuit of Peace
s03e12 - Nightsisters
s03e13 - Monster
s03e14 - Witches of the Mist
s03e15 - Overlords
s03e16 - Altar of Mortis
s03e17 - Ghost of Mortis
s03e18 - The Citadel
s03e19 - Counter Attack
s03e20 - Citadel Rescue
s03e21 - Padawan Lost
s03e22 - Wookie Hunt
s04e07 - Darkness on Umbara
s04e08 - The General
s04e09 - Plan of Dissident
s04e10 - The Carnage of Krell
s04e11 - Kidnapped
s04e12 - Slaves of the Republic
s04e13 - Escape from Kadavo
s04e15 - Deception
s04e16 - Friends and Enemies
s04e17 - The Box
s04e18 - Crisis on Naboo
s04e19 - Massacre
s04e20 - Bounty
s04e21 - Brothers
s04e22 - Revenge
s05e06 - The Gathering
s05e07 - A Test of Strength
s05e08 - Bound for Rescue
s05e09 - A Necessary Bond
s05e01 - Revival
s05e14 - Eminence
s05e15 - Shades of Reason
s05e16 - The Lawless
Darth Maul: Son of Dathomir #1-4
s05e17 - Sabotage
s05e18 - The Jedi Who Knew Too Much
s05e19 - To Catch a Jedi
s05e20 - The Wrong Jedi
s06e01 - The Unknown
s06e02 - Conspiracy
s06e03 - Fugitive
s06e04 - Orders
s06e10 - The Lost One
s06e11 - Voices
s06e12 - Destiny
s06e13 - Sacrifice
Episode III: Revenge of the Sith
s01e01-02 - Spark of Rebellion (From now onwards: Star Wars Rebels)
Star Wars: Kanan #1-12
s01e03 - Droids in Distress
s01e05 - Rise of the Old Master
s01e08 - Empire Day
s01e09 - Gathering Forces
s01e10 - Path of the Jedi
s01e13 - Call to Action
s01e14 - Rebel Resolve
s01e15 - Fire Across the Galaxy
s02e01-02 - The Siege of Lothal
s02e03 - The Lost Commanders
s02e04 - Relicts of the Old Republic
s02e05 - Always Two There Are
s02e10 - The Future of the Force
s02e11 - Legacy
s02e12 - A Princess on Lothal
s02e17 - The Honorable Ones
s02e18 - Shroud of Darkness
s02e21-22 - Twilight of the Apprentice
s03e01-02 - Steps Into Shadow
s03e03 - The Holocrons Fate
s03e06 - The Last Battle
s03e10 - An Inside Man
s03e11 - Visions and Voices
(Currently running)
Rogue One: A Star Wars Story
Episode IV: A New Hope
Star Wars #1-3
Star Wars: Darth Vader #1
Star Wars #4-6
Star Wars #7 (The Journal of Obi-Wan)
Star Wars: Vader Down #1-6 (Crossover)
Star Wars #15, #20 (The Journal of Obi-Wan)
Star Wars: Darth Vader Annual 1
Star Wars: Darth Vader #16-25
Star Wars #26
(Still Running)
Episode V: The Empire Strikes Back
Episode VI: Return of the Jedi
Star Wars: Poe Dameron #1-9
(Still Running)
Episode VII: The Force Awakens
That's all, folks. May the Force be with you.
That's all, folks. May the Force be with you.
Star Wars: a comprehensive short guide. Part 3
Congratulations! After a basic part one and a longer second part, you finally decided to expand your knowledge even further with the third layer of this brief guide. The time of viewing is over: it is now time to read.
As I've explained in the introduction, I decided to not include any of the novels considered Canon after the Disney's revolution. Since one of the main goal of this guide is to give you all the necessary material in the shortest amount of time possible, the comic books are more suitable for a quick read and, more importantly, you can skip a few issues from now and then (and in a novel you really can't).
Since I have selected only a few titles and, within those titles, only a subset of issues, sometimes you will feel there is a small hole in the plot. You can either decide to read the full set of comic books or trust me when I say that what you will miss following my selection is negligible.
At the end of the post you will find the list of Marvel's titles (since other comic books are not Canon anymore).
As I've explained in the introduction, I decided to not include any of the novels considered Canon after the Disney's revolution. Since one of the main goal of this guide is to give you all the necessary material in the shortest amount of time possible, the comic books are more suitable for a quick read and, more importantly, you can skip a few issues from now and then (and in a novel you really can't).
Since I have selected only a few titles and, within those titles, only a subset of issues, sometimes you will feel there is a small hole in the plot. You can either decide to read the full set of comic books or trust me when I say that what you will miss following my selection is negligible.
At the end of the post you will find the list of Marvel's titles (since other comic books are not Canon anymore).
If you want to read the first two layers again, here the first one about the movies and here the second one about the animated series.
If you are not really into reading the motivations of my selection, here is a final post with everything I have selected for this guide.
The Third Layer: the Comic Books
Most of the titles have a limited amount of issues (five or less). Therefore, reading them is not going to take you more than an hour or so for the full volume. These short stories are meant to give you small details about some of the characters and I can understand that not everyone can be interested in them. However, since you got this far, you deserve a comprehensive view.
The first story, chronologically, is about a young Anakin and Obi-Wan #1-5. It takes place a few years before the events of Episode II and tells the story of the two Jedi answering to a distress call on a mysterious planet. My interest in this story is that it provides a nice look at the psychology of Anakin Skywalker and its relation to Chancellor Palpatine since the very early stages of its training.
If you saw the amazing episode The Lawless (s05e16 of The Clone War) you also noticed that our beloved Darth Maul was not killed by the Emperor. Darth Maul: Son of Dathomir will show you in 4 issues what happened to him, filling the gap between that episode and his next appearance during the second season of Rebels.
A slightly longer comic book (12 issues in 2 volumes) is about Kanan, the protagonist of Rebels. The story is a long flashback to its training and, most importantly, to the execution of the order 66. A good moment to read the two volumes is right after the first episode of the first season of Rebels since the story will provide you a deeper view on a new character. Moreover, in the first few issues, it is also explored again another important theme: how naive were the Jedi during the Clone War.
Before going forward I have to mention that I am leaving out three stories: Princess Leia, Han Solo, and Chewbacca. They take place after the battle of Yavin and give a deeper view of those characters and they settle some major issues for the fans (for example it is shown that Chewie actually got a medal for defeating the Empire, like the others: he just doesn't wear it). However, I have to take them out of the guide because they are not really necessary for the big picture. I repeat myself again: you have to find your own path, this is just a guide.
The core of this last layer of knowledge are surely the comic books named Star Wars (29 issues, still running) and Star Wars: Darth Vader (25 issues and concluded). The two stories take place simultaneously right after the battle of Yavin (thus after A New Hope) and cross each other in the comic book named Vader Down. I have selected the issues containing information about the rebellion, struggling to find another base and keep attacking the Empire, Luke's training, finding out how far he is from being a Jedi, and Vader, gaining back the trust of the Emperor with powerful actions (and amazing moments like the one in the picture) after the great defeat at Yavin 4.
It is here that Vader comes to know the identity of the pilot that destroyed the Death Star (with the help of Boba Fett) and makes the decision of bringing him to the Dark Side, thus shaping what will happen in Episode V. Moreover, it looks awesome.
At last, in Star Wars there are several issues dedicated to the Obi-Wan's journal. Such issues are included solely to give you pieces of information on what happened to Obi-Wan and Luke between the Episodes III and IV.
This comic book is currently running, the next few issues are about Yoda and his adventures. I can't say if it is a story worth reading just yet but I am one of those that took these issues as the hint that a stand-alone movie about our little green friend is coming.
Finally, I've inserted another running story: Poe Dameron. Now, it is not my favorite one. However, it is the only comic book that contains pieces of relevant information about the period between the fall of the Empire and the events of Episode VII. Therefore, you will follow the adventures of the greatest pilot in the Galaxy while the First Order is growing in power and hostility towards the New Republic, you will see what happened on Jakku (Rey's planet in Ep. VII) in the last days of the Empire, and you will grow some interest in Poe. The potential downside is that those topics will be probably faced inside the upcoming movies, thus taking out part of the surprise.
List of selected issues
Star Wars: Obi-Wan & Anakin #1-5
Darth Maul: Son of Dathomir #1-4
Star Wars: Kanan #1-12
Star Wars #1-3
Star Wars: Darth Vader #1
Star Wars #4-6
Star Wars #7 (The Journal of Obi-Wan)
Star Wars: Vader Down #1-6 (Crossover)
Star Wars #15, #20 (The Journal of Obi-Wan)
Star Wars: Darth Vader Annual 1
Star Wars: Darth Vader #16-25
Star Wars #26
(Still Running)
Star Wars: Poe Dameron #1-9
(Still Running)
The Third Layer: the Comic Books
Most of the titles have a limited amount of issues (five or less). Therefore, reading them is not going to take you more than an hour or so for the full volume. These short stories are meant to give you small details about some of the characters and I can understand that not everyone can be interested in them. However, since you got this far, you deserve a comprehensive view.
Darth Vader #25 |
The first story, chronologically, is about a young Anakin and Obi-Wan #1-5. It takes place a few years before the events of Episode II and tells the story of the two Jedi answering to a distress call on a mysterious planet. My interest in this story is that it provides a nice look at the psychology of Anakin Skywalker and its relation to Chancellor Palpatine since the very early stages of its training.
If you saw the amazing episode The Lawless (s05e16 of The Clone War) you also noticed that our beloved Darth Maul was not killed by the Emperor. Darth Maul: Son of Dathomir will show you in 4 issues what happened to him, filling the gap between that episode and his next appearance during the second season of Rebels.
A slightly longer comic book (12 issues in 2 volumes) is about Kanan, the protagonist of Rebels. The story is a long flashback to its training and, most importantly, to the execution of the order 66. A good moment to read the two volumes is right after the first episode of the first season of Rebels since the story will provide you a deeper view on a new character. Moreover, in the first few issues, it is also explored again another important theme: how naive were the Jedi during the Clone War.
Before going forward I have to mention that I am leaving out three stories: Princess Leia, Han Solo, and Chewbacca. They take place after the battle of Yavin and give a deeper view of those characters and they settle some major issues for the fans (for example it is shown that Chewie actually got a medal for defeating the Empire, like the others: he just doesn't wear it). However, I have to take them out of the guide because they are not really necessary for the big picture. I repeat myself again: you have to find your own path, this is just a guide.
The core of this last layer of knowledge are surely the comic books named Star Wars (29 issues, still running) and Star Wars: Darth Vader (25 issues and concluded). The two stories take place simultaneously right after the battle of Yavin (thus after A New Hope) and cross each other in the comic book named Vader Down. I have selected the issues containing information about the rebellion, struggling to find another base and keep attacking the Empire, Luke's training, finding out how far he is from being a Jedi, and Vader, gaining back the trust of the Emperor with powerful actions (and amazing moments like the one in the picture) after the great defeat at Yavin 4.
Vader Down #1 - "All I am surrounded by is fear and dead men" |
It is here that Vader comes to know the identity of the pilot that destroyed the Death Star (with the help of Boba Fett) and makes the decision of bringing him to the Dark Side, thus shaping what will happen in Episode V. Moreover, it looks awesome.
Darth Vader #1 - "Skywalker" |
At last, in Star Wars there are several issues dedicated to the Obi-Wan's journal. Such issues are included solely to give you pieces of information on what happened to Obi-Wan and Luke between the Episodes III and IV.
This comic book is currently running, the next few issues are about Yoda and his adventures. I can't say if it is a story worth reading just yet but I am one of those that took these issues as the hint that a stand-alone movie about our little green friend is coming.
Finally, I've inserted another running story: Poe Dameron. Now, it is not my favorite one. However, it is the only comic book that contains pieces of relevant information about the period between the fall of the Empire and the events of Episode VII. Therefore, you will follow the adventures of the greatest pilot in the Galaxy while the First Order is growing in power and hostility towards the New Republic, you will see what happened on Jakku (Rey's planet in Ep. VII) in the last days of the Empire, and you will grow some interest in Poe. The potential downside is that those topics will be probably faced inside the upcoming movies, thus taking out part of the surprise.
List of selected issues
Star Wars: Obi-Wan & Anakin #1-5
Darth Maul: Son of Dathomir #1-4
Star Wars: Kanan #1-12
Star Wars #1-3
Star Wars: Darth Vader #1
Star Wars #4-6
Star Wars #7 (The Journal of Obi-Wan)
Star Wars: Vader Down #1-6 (Crossover)
Star Wars #15, #20 (The Journal of Obi-Wan)
Star Wars: Darth Vader Annual 1
Star Wars: Darth Vader #16-25
Star Wars #26
(Still Running)
Star Wars: Poe Dameron #1-9
(Still Running)
Star Wars #26 |
Star Wars: a comprehensive short guide. Part 2
Welcome back, my young padawan. You most likely come from the first part of this guide, where you found the instructions on how to use it. If you already know everything about the Star Wars' animated series, you can skip this part and go directly to the third, deepest, layer of this guide: the comic books.
If you are in a hurry, you can just have a look to the final product without any explanations here.
The Second Layer: the Animated Series
Here I have selected a number of episodes of the two Disney's products. The list can be found at the end of the post but, before that, it is important to me to explain you why I chose these episodes. In this way, if you don't like a particular subplot that I've included, you can easily skip it. Don't get discouraged by the number of episodes because they are just 20 minutes long and the tone is very light (they are meant for children).
To be fair, there is also an animated movie (The Clone Wars). I didn't include it because I don't particularly like it and any information there contained can easily be found in the animated series.
The Clone Wars
In this show, we can follow different storylines. As the name suggests, it takes place right after Episode II and it tells the tales happened during the clone war. I selected the episodes I liked most or those that contain the most interesting storylines. For example, there are episodes about the training and the mindset of the clones (s03e01 and s01e05), episodes exploring the personal (more human) side of Obi-Wan Kenobi (s02e12-14), and others that just give amazing action sequences. In total, I selected 58 (+1) out of the 125 episodes, you can watch all of them or just focus on the most appealing stories for you.
I think the show starts hitting a high level from the third season. Introducing an entire plot regarding a new sith (Savage, brother of Darth Maul), it is interesting to observe how the Sith handle their power and their inability to share it (s03e12-14). The rest of the season is more dedicated to the political movements happening during the war and how its battles were won. As a side note, there are three episodes (s03e15-17) where Anakin has to face the Force and the Dark Side of it, having even a vision of his own future.
On season 4, the show focuses again on battle situations (s04e07-13) where the dynamic between the clones and the Jedi is explored with more attention. Then there is a subplot involving a first attempt to kidnap the Chancellor Palpatine (s04e15-18). As a final act, the season moves back to Savage and what surrounds him, re-introducing in the saga the beloved Darth Maul (s04e19-22).
The peak of the show is reached during its fifth season. While it contains a (skippable) funny, light story about young padawans building their lightsabers (s05e06-09, there is even a baby Wookie), the show turns in a much darker and deeper tone. First, we can see the arc involving Savage and Maul coming to an end (s05e01 and then ep. 14 to 16). Here we will assist to the attempt of building a third faction, guided by Maul. The show will drive you through exciting swords fights and cold-blooded executions. It is in this storyline that you can find my favorite episode: The Lawless, s05e16. At last, the show moves again on the war (s05e17-20), on how the Jedi are perceived by the population. Here there is my second favorite episode: The Wrong Jedi, s05e20, full of tension and with an extremely touching final moment involving Anakin.
The show was then canceled, therefore Disney decided to wrap it up in a final season with only 13 episodes. The goal is to lead you to the yellow crawl of Revenge of the Sith with no gaps in your understanding of the events. In particular, it is explored the origin of the sadly known order 66 (s06e01-04) and then (s06e10-13) we focus our attention on the investigation of the origin of the clones, leading to a very introspective journey for our beloved Yoda. I believe that episode 10, The Lost One, will give you an entirely different look on the choices of the Jedi Council and on how naive the Jedi were.
A final mention to another great episode that does not fit in any story relevant for the big picture. In s02e17, Bounty Hunters, there is an homage to Akira Kurosawa's Seven Samurai. The episode has basically the same plot but it is played by Star Wars' characters.
Rebels
The other Disney's product is Star Wars Rebels, telling the story of how a small group of previously unseen characters came together and then joined what will be known as the rebellion. The story is, therefore, taking place between the prequels and the original trilogy: the Empire has the power on the Galaxy and is crushing the population with various injustices. It is not easy to trace a path through this show since it is currently running.
Here, we meet Ezra (s01e01-02), a lost boy that will join the crew of the ship named Ghost. The episodes of the first season are mostly dedicated to presenting the general situation of the Galaxy and of the protagonists, but also takes a deeper turn showing the role of the Force and how easy is to abandon yourself to the Dark Side (s01e08-10). The entire season moves along following one of the last Jedi, Kanan, training this young man reminding a lot the tone of the original trilogy. In particular, in the episode named The Path of the Jedi (s01e10), there is a clear reference to the scenes where Yoda trains Luke in The Empire Strikes Back, facing the Dark Side. The short season is concluded with a prelude of what the rebellion is going to be, our rebels (and the Empire) start finding out that there is a bigger organization against the oppressive power of the Emperor (s01e13-15).
The second season starts with a great double episode, The Siege of Lothal (s02e01-02). Here, our crew of rebels will be forced by the Empire to leave their planet and definitely join the rebellion. A second plot is introducing what was the scariest Darth Vader ever displayed before Rogue One came to our screens. Later, our heroes struggle with the allies of Vader: the Inquisitors, hired to kill every last Jedi. In the search of a secure base and of a way to keep the Inquisitors away, the season ends on the sinister planet of Malachor with a fantastic showdown.
The third season is still running and, frankly, it is not very convincing to me. Interesting is the beginning: Ezra struggling in his training with the risk of letting his Dark Side emerge and take over, Kanan making peace with himself and the Force. Then (s03e03) Maul comes back to the stage and moves the plot along, suggesting something about Tatooine and someone that still lives. It is not convincing because, after that episode, the rest of the season so far aired is pretty much useless for our purposes. However, I've inserted The Last Battle (s03e06) since it is an homage to The Clone Wars and it is giving to the characters a clearer view on the events that led to the current situation. To this day, the last episode aired is Vision and Voices (s03e11), which is picking up the initial plot again, giving me hope for the second half of the season.
Click here for the third layer: The Comic Books.
Click here for the full guide with no explanations.
List of Selected Episodes
Every time you encounter a change of colors (the neutral are just stand-alone episodes), it means that a storyline is over (for the time being) and we move to the next one. Thus you can choose what to see and what not.
Clone Wars (in chronological order)
s03e01 - Clone Cadets
s01e05 - Rookie
s02e05 - Landing at Point Rain
s02e08 - Brain Invaders
s02e09 - Grievous Intrigue
s02e10 - The Deserter
s02e12 - The Mandalore Plot
s02e13 - Voyage of Temptation
s02e14 - Duchess of Mandalore
s01e22 - Hostage Crisis
s03e10 - Heroes on Both Sides
s03e11 - Pursuit of Peace
s03e12 - Nightsisters
s03e13 - Monster
s03e14 - Witches of the Mist
s03e15 - Overlords
s03e16 - Altar of Mortis
s03e17 - Ghost of Mortis
s03e18 - The Citadel
s03e19 - Counter Attack
s03e20 - Citadel Rescue
s03e21 - Padawan Lost
s03e22 - Wookie Hunt
s04e07 - Darkness on Umbara
s04e08 - The General
s04e09 - Plan of Dissident
s04e10 - The Carnage of Krell
s04e11 - Kidnapped
s04e12 - Slaves of the Republic
s04e13 - Escape from Kadavo
s04e15 - Deception
s04e16 - Friends and Enemies
s04e17 - The Box
s04e18 - Crisis on Naboo
s04e19 - Massacre
s04e20 - Bounty
s04e21 - Brothers
s04e22 - Revenge
s05e06 - The Gathering
s05e07 - A Test of Strength
s05e08 - Bound for Rescue
s05e09 - A Necessary Bond
s05e01 - Revival
s05e14 - Eminence
s05e15 - Shades of Reason
s05e16 - The Lawless
s05e17 - Sabotage
s05e18 - The Jedi Who Knew Too Much
s05e19 - To Catch a Jedi
s05e20 - The Wrong Jedi
s06e01 - The Unknown
s06e02 - Conspiracy
s06e03 - Fugitive
s06e04 - Orders
s06e10 - The Lost One
s06e11 - Voices
s06e12 - Destiny
s06e13 - Sacrifice
Bonus: s02e17 - Bounty Hunters
Rebels
s01e01-02 - Spark of Rebellion
s01e03 - Droids in Distress
s01e05 - Rise of the Old Master
s01e08 - Empire Day
s01e09 - Gathering Forces
s01e10 - Path of the Jedi
s01e13 - Call to Action
s01e14 - Rebel Resolve
s01e15 - Fire Across the Galaxy
s02e01-02 - The Siege of Lothal
s02e03 - The Lost Commanders
s02e04 - Relicts of the Old Republic
s02e05 - Always Two There Are
s02e10 - The Future of the Force
s02e11 - Legacy
s02e12 - A Princess on Lothal
s02e17 - The Honorable Ones
s02e18 - Shroud of Darkness
s02e21-22 - Twilight of the Apprentice
s03e01-02 - Steps Into Shadow
s03e03 - The Holocrons Fate
s03e06 - The Last Battle
s03e10 - An Inside Man
s03e11 - Visions and Voices
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The Second Layer: the Animated Series
Here I have selected a number of episodes of the two Disney's products. The list can be found at the end of the post but, before that, it is important to me to explain you why I chose these episodes. In this way, if you don't like a particular subplot that I've included, you can easily skip it. Don't get discouraged by the number of episodes because they are just 20 minutes long and the tone is very light (they are meant for children).
To be fair, there is also an animated movie (The Clone Wars). I didn't include it because I don't particularly like it and any information there contained can easily be found in the animated series.
The Clone Wars
In this show, we can follow different storylines. As the name suggests, it takes place right after Episode II and it tells the tales happened during the clone war. I selected the episodes I liked most or those that contain the most interesting storylines. For example, there are episodes about the training and the mindset of the clones (s03e01 and s01e05), episodes exploring the personal (more human) side of Obi-Wan Kenobi (s02e12-14), and others that just give amazing action sequences. In total, I selected 58 (+1) out of the 125 episodes, you can watch all of them or just focus on the most appealing stories for you.
I think the show starts hitting a high level from the third season. Introducing an entire plot regarding a new sith (Savage, brother of Darth Maul), it is interesting to observe how the Sith handle their power and their inability to share it (s03e12-14). The rest of the season is more dedicated to the political movements happening during the war and how its battles were won. As a side note, there are three episodes (s03e15-17) where Anakin has to face the Force and the Dark Side of it, having even a vision of his own future.
On season 4, the show focuses again on battle situations (s04e07-13) where the dynamic between the clones and the Jedi is explored with more attention. Then there is a subplot involving a first attempt to kidnap the Chancellor Palpatine (s04e15-18). As a final act, the season moves back to Savage and what surrounds him, re-introducing in the saga the beloved Darth Maul (s04e19-22).
The peak of the show is reached during its fifth season. While it contains a (skippable) funny, light story about young padawans building their lightsabers (s05e06-09, there is even a baby Wookie), the show turns in a much darker and deeper tone. First, we can see the arc involving Savage and Maul coming to an end (s05e01 and then ep. 14 to 16). Here we will assist to the attempt of building a third faction, guided by Maul. The show will drive you through exciting swords fights and cold-blooded executions. It is in this storyline that you can find my favorite episode: The Lawless, s05e16. At last, the show moves again on the war (s05e17-20), on how the Jedi are perceived by the population. Here there is my second favorite episode: The Wrong Jedi, s05e20, full of tension and with an extremely touching final moment involving Anakin.
The show was then canceled, therefore Disney decided to wrap it up in a final season with only 13 episodes. The goal is to lead you to the yellow crawl of Revenge of the Sith with no gaps in your understanding of the events. In particular, it is explored the origin of the sadly known order 66 (s06e01-04) and then (s06e10-13) we focus our attention on the investigation of the origin of the clones, leading to a very introspective journey for our beloved Yoda. I believe that episode 10, The Lost One, will give you an entirely different look on the choices of the Jedi Council and on how naive the Jedi were.
A final mention to another great episode that does not fit in any story relevant for the big picture. In s02e17, Bounty Hunters, there is an homage to Akira Kurosawa's Seven Samurai. The episode has basically the same plot but it is played by Star Wars' characters.
Rebels
The other Disney's product is Star Wars Rebels, telling the story of how a small group of previously unseen characters came together and then joined what will be known as the rebellion. The story is, therefore, taking place between the prequels and the original trilogy: the Empire has the power on the Galaxy and is crushing the population with various injustices. It is not easy to trace a path through this show since it is currently running.
Here, we meet Ezra (s01e01-02), a lost boy that will join the crew of the ship named Ghost. The episodes of the first season are mostly dedicated to presenting the general situation of the Galaxy and of the protagonists, but also takes a deeper turn showing the role of the Force and how easy is to abandon yourself to the Dark Side (s01e08-10). The entire season moves along following one of the last Jedi, Kanan, training this young man reminding a lot the tone of the original trilogy. In particular, in the episode named The Path of the Jedi (s01e10), there is a clear reference to the scenes where Yoda trains Luke in The Empire Strikes Back, facing the Dark Side. The short season is concluded with a prelude of what the rebellion is going to be, our rebels (and the Empire) start finding out that there is a bigger organization against the oppressive power of the Emperor (s01e13-15).
The second season starts with a great double episode, The Siege of Lothal (s02e01-02). Here, our crew of rebels will be forced by the Empire to leave their planet and definitely join the rebellion. A second plot is introducing what was the scariest Darth Vader ever displayed before Rogue One came to our screens. Later, our heroes struggle with the allies of Vader: the Inquisitors, hired to kill every last Jedi. In the search of a secure base and of a way to keep the Inquisitors away, the season ends on the sinister planet of Malachor with a fantastic showdown.
The third season is still running and, frankly, it is not very convincing to me. Interesting is the beginning: Ezra struggling in his training with the risk of letting his Dark Side emerge and take over, Kanan making peace with himself and the Force. Then (s03e03) Maul comes back to the stage and moves the plot along, suggesting something about Tatooine and someone that still lives. It is not convincing because, after that episode, the rest of the season so far aired is pretty much useless for our purposes. However, I've inserted The Last Battle (s03e06) since it is an homage to The Clone Wars and it is giving to the characters a clearer view on the events that led to the current situation. To this day, the last episode aired is Vision and Voices (s03e11), which is picking up the initial plot again, giving me hope for the second half of the season.
Click here for the third layer: The Comic Books.
Click here for the full guide with no explanations.
List of Selected Episodes
Every time you encounter a change of colors (the neutral are just stand-alone episodes), it means that a storyline is over (for the time being) and we move to the next one. Thus you can choose what to see and what not.
Clone Wars (in chronological order)
s03e01 - Clone Cadets
s01e05 - Rookie
s02e05 - Landing at Point Rain
s02e08 - Brain Invaders
s02e09 - Grievous Intrigue
s02e10 - The Deserter
s02e12 - The Mandalore Plot
s02e13 - Voyage of Temptation
s03e16 - Altar of Mortis |
s01e22 - Hostage Crisis
s03e10 - Heroes on Both Sides
s03e11 - Pursuit of Peace
s03e12 - Nightsisters
s03e13 - Monster
s03e14 - Witches of the Mist
s03e15 - Overlords
s03e16 - Altar of Mortis
s03e17 - Ghost of Mortis
s03e18 - The Citadel
s03e19 - Counter Attack
Chewbacca in Wookie Hunt, s03e22 |
s03e21 - Padawan Lost
s03e22 - Wookie Hunt
s04e07 - Darkness on Umbara
s04e08 - The General
s04e09 - Plan of Dissident
s04e10 - The Carnage of Krell
s04e11 - Kidnapped
s04e12 - Slaves of the Republic
s04e13 - Escape from Kadavo
s04e15 - Deception
s04e16 - Friends and Enemies
s04e17 - The Box
s04e21 - Brothers |
s04e19 - Massacre
s04e20 - Bounty
s04e21 - Brothers
s04e22 - Revenge
s05e06 - The Gathering
s05e07 - A Test of Strength
s05e08 - Bound for Rescue
s05e09 - A Necessary Bond
s05e01 - Revival
s05e14 - Eminence
s05e16 - The Lawless |
s05e16 - The Lawless
s05e17 - Sabotage
s05e18 - The Jedi Who Knew Too Much
s05e19 - To Catch a Jedi
s05e20 - The Wrong Jedi
s06e01 - The Unknown
s06e02 - Conspiracy
s06e03 - Fugitive
s06e04 - Orders
s06e10 - The Lost One
s06e11 - Voices
s06e12 - Destiny
s06e13 - Sacrifice
Bonus: s02e17 - Bounty Hunters
Rebels
s01e01-02 - Spark of Rebellion
s01e01-02 - The Siege of Lothal |
s01e05 - Rise of the Old Master
s01e08 - Empire Day
s01e09 - Gathering Forces
s01e10 - Path of the Jedi
s01e13 - Call to Action
s01e14 - Rebel Resolve
s01e15 - Fire Across the Galaxy
s02e01-02 - The Siege of Lothal
s02e03 - The Lost Commanders
s02e04 - Relicts of the Old Republic
s02e05 - Always Two There Are
s02e10 - The Future of the Force
s02e11 - Legacy
s02e21-22 - Twilight of the Apprentice |
s02e17 - The Honorable Ones
s02e18 - Shroud of Darkness
s02e21-22 - Twilight of the Apprentice
s03e01-02 - Steps Into Shadow
s03e03 - The Holocrons Fate
s03e06 - The Last Battle
s03e10 - An Inside Man
s03e11 - Visions and Voices
Currently running
Click here for the third layer: The Comic Books.
Click here for the full guide with no explanations.
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